I then denoised it using neat video – but only using the automated presets. You can also control how much reduction takes place, but be careful not to over do it as the image can start to look synthetic very quickly.įor the purpose of this post, I stretched the contrast on a shot to expose some grain in the shadows/midtones. That essentially means you will have a more accurate representation of the noise that needs to be removed. For example, you can change the temporal radius to pull noise data from up to 5 frames before and after the current frame being sampled. Once you have found the settings that work for your shot and have applied them, within your NLE you still have control over how the de-noising is applied. However, for more complex shots or specific issues (let’s say a camera has noise only in the red channel for example), you can have much more control by using the advanced mode which allows you to fine tune the nose reduction settings with many additional sliders related to the shadow, midtone and highlight grain. For the majority of basic de-noising work – you may not need any other settings.
Still working in the simple (or standard) mode, you have control over the amount of noise reduction on luminance and chrominance separately, as well as having a slider for the amount of sharpening required. It then subtracts that pattern from your video and you are left with an amazingly clean final image. On the simple end of things, all you need to do is select a noisy area of your footage (preferably without much detail, a wall for example would work well), and Neat video creates a profile for your camera/iso setting based on the noise that is visible. It works with two separate modes (one simple and one advanced) Â that allow you as the user to de-noise according to your needs and skill level.
Neat video reviews full#
While you can apply it directly within your NLE, many of the necessary settings are only accessible once you step into a separate window that features the full control of the plugin. Right out of the box, Neat video works exceptionally well.
Neat video reviews iso#
Typically, my finishing workflow is heavily focused on color grading and as such often denoise in my grading applications, and in some more extreme cases I have used After Effects’ denoising tool.Ībout a month ago I figured I would pick up the neat video plugin for FCP X as I had a lot of narrative and documentary themed projects upcoming (that I was producing in addition to posting), and wanted some more flexibility in camera when shooting as I typically will use fair amount of lighting to avoid bumping the ISO up too high. Video after the break.I’ve heard for years now that Neat video’s noise reduction plugins are hard to beat, but it wasn’t until recently that I realized this first hand.
Neat video reviews software#
With an understanding of the mechanisms at play, producing your own Gluggle jug is as simple as whipping up a design in your CAD software of choice and printing it in a food-safe way. The frequency of the sound is determined by the height of the jug, which is essentially acting as a closed-pipe resonator. Stop pouring, and air from that cavity then escapes back through the open mouth of the jug via more bubbles, making an even louder glugging sound. The design is simple – the glug sounds are from bubbles passing into a closed cavity within the jug as the water is poured out. Instead, he simply smashed a jug to see what it looked like inside, and replicated the basic design in a transparent laser-cut version. ’s first plan was to cut apart an existing Gluggle Jug to see how it worked, but cutting ceramics can be difficult and time-consuming, and the asymmetric design only made things harder. But how does it work? set out to investigate. The Gluggle Jug is an aptly-named thing – it’s a jug that makes loud, satisfying glugging noises when poured.